My first project was an ethnographic study of the Egyptian film industry, with particular attention to labour dynamics, production practices, and the impact of digital technologies on filmmaking. Based on doctoral fieldwork in Cairo between 2013 and 2015, I examined how everyday labour and technological use can explain cinematic creation, and how filmmakers conceive and manage their unpredictable future. This research culminated in the publication of a monograph titled Making Film in Egypt: How Labor, Technology and Mediation Shape the Industry (American University in Cairo Press, 2021).
My current project combines historical and ethnographic methods to examine everyday bureaucratic practices at the Ministry of Culture (MOC) in Egypt. Based on archival and ethnographic fieldwork in Cairo between 2018 and 2019, I explore how MOC bureaucrats were instrumental in crafting a coherent state-idea through a range of writings, images, and administrative documents after national independence in 1952. This project will culminate in a monograph titled Constructing the Achievement State: Cultural Administration in Postrevolutionary Egypt (Cambridge University Press, forthcoming).
I teach on the MSc/MPhil in Visual, Material, and Museum Anthropology (VMMA), with a particular focus on visual anthropology, digital anthropology, and visual/digital methods. I also write about film and social science for a wider audience in both Arabic and English, including in a column on basic concepts in philosophy and social theory for Boring Books.
